CENTEOTL was the corn god. Centeotl (also Centeocihuatl or Cinteotl) was a god of maize (originally a goddess), and a son of Tlazolteotl and husband of Xochiquetzal. He was a male version of Chicomecoatl. 

CHALCHIUHTLICUE  is the goddess of running Water. She was the sister of Tlaloc.

CHANTICO ("she who dwells in the house") was the goddess of fires in the family hearth and volcanoes. She broke a fast by eating paprika with roasted fish, and was turned into a dog by Tonacatecuhtli.

CHICOMECOATL "Seven Serpent", also the name of a day of the Aztec calendar) was a goddess of food and produce, especially maize and, by extension, a goddess of fertility.
     Every September, she received a sacrifice of young girl, decapitated. The sacrifice's blood was poured on a statue of Chicmecoatl and her skin was worn by a priest. She was thought of as a female counterpart to Centeotl and was also called Xilonen ("the hairy one", which referred to the hairs on unshucked maize), who was married to Tezcatlipoca.
      She often appeared with attributes of Chalchiuhtlicue, such as her headdress and the short lines rubbing down her cheeks. She is usually distinguished by being shown carrying ears of maize. She is shown in three different forms:
          as a young girl carrying flowers
          as a woman who brings death with her embraces
          as a mother who uses the sun as a shield

CIHUACAOTYL A goddess whose roaring signaled War.

COATLICUE She of the Serpent Skirt.

EHECATL was the god of wind, an aspect of Quetzalcoatl. His breath moved the sun and pushed away rain. He fell in love with a human girl named Mayahuel, and gave mankind the ability to love so that she could return his passion

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HUEHUETEOTL "The old, old deity," was one of the names of the cult of fire, among the oldest in Mesoamerica. The maintenance of fires in the temples was a principal priestly duty, and the renewal of fire was identified with the renewal of time itself.

 Huehuecoyotl ("old, old coyote"; sometimes alternately "Ueuecoyotl") is the trickster god of music, dance, song, and uninhibited sexuality. He is depicted in the Codex Borbonicus as a dancing coyote with human hands and feet, accompanied by a human drummer.
     Huehuecoyotl shares many characteristics with North American tribes' trickster Coyote, including storytelling and choral singing. In both cultures he is a prankster, whose tricks are often played on other gods but frequently backfire and cause more trouble for himself that the intended victims. A great party-giver, he also was alleged to foment wars between humans to relieve his boredom. He is a part of the Tezcatlipoca family of the Mexica gods, and has their shape-shifting powers. Those who had indications of evil fates from the gods would sometimes appeal to Huehuecoyotl to mitigate or reverse their fate.
      The fourth day of the thirteen day Mexica week belonged to Huehuecoytol. He is often associated with Xolotl.

HUITZILOPOCHTLI (also spelled Uitzilopochtli ("Hummingbird of the South", "He of the South", "Hummingbird on the Left (South)", or "Left-Handed Humming Bird" – huitzil is the Nahuatl word for hummingbird), was a god of war and a sun god and the patron of the city of Tenochtitlan. He was also the national god of the Aztecs. As well as being a god of war and a sun god, he was also a god of death, young men, warriors, storms, and a guide for journeys. His mother was Coatlicue, his father a ball of feathers (or, alternatively, Mixcoatl). His sister was Malinalxochi, a beautiful sorceress, who was also his rival. His messenger or impersonator was Paynal.
     In the Nahua culture, many names have an esoteric meaning, known only to some. In Nahua maps, the South is at the left, and in the South is the paradise of the sun. Also, the souls of the dead warriors return to the earth as butterflies and hummingbirds, so the name represents "the warrior soul from the paradise."
     His sister, Coyolxauhqui, tried to kill their mother, Coatlicue, because she became pregnant in a shameful way (by a ball of feathers). Her fetus, Huitzilopochtli, sprang from her womb and killed Coyolxauhqui, along with many of his 400 brothers and sisters. He then tossed her head into the sky, where it became the moon, so that his mother would be comforted in seeing her daughter in the sky every night.
      Another legend says that he washed his hands, touched his penis, and ejaculated onto a stone. The union of rock and semen created the first bat.
     Panquetzaliztli (7 to 26 December) was the Aztec month dedicated to Huitzilopochtli. People decorated their homes and trees with paper flags; there was a ritual race, processions, and massive human sacrifices. His festival was that of a blood orgy with hearts and blood of prisoners dumped on his altar. People fasted, or ate very little; a statue of the god was made with amaranth (huatli) seeds and honey, and at the end of the month, it was cut into small pieces so everybody could eat a little piece of the god. The similarity with Christian rituals prompted the Spanish authorities to forbid the cultivation of amaranth. After the conquest, some aspects of these festivities were incorporated into the traditions of the Nativity.
      The Great Temple of Tenochtitlan was dedicated to Huitzlilopochtli and Tlaloc because they were considered equals in power.
      In art, Huitzilopochtli was represented as a hummingbird (or with just the feathers of such on his head and left leg), a black face, and holding a snake and a mirror. In the great temple his statue was decorated with cloths and feathers, gold and jewels, and was hidden behind a curtain to give it more reverence and veneration. According to legend, the statue was supposed to be destroyed by the soldier Gil Gonzᬥz de Benavides, but it was rescued by a man called Tlatolatl. The statue appeared some years later, during an investigation by Bishop ZummᲡga during the 1530s, only to be lost again. There is speculation that the statue still exists in cave somewhere in the Anahuac valley.

Huitzilopochtli was a tribal god, and a legendary wizard of the Aztecs, and originally was of little importance to the Nahuas, but after the rise of the Aztecs, Tlacaelel reformed their religion and put Huitzilopochtli at the same level as Quetzalcoatl, Tlaloc, and Tezcatlipoca, making him a solar god. So he replaced Nanahuatzin, the solar god from the Nahua legend, with Huitzilopochtli. Huitzilopochtli was said to be in a constant struggle with the darkness, and he needed to replace his blood, hence the major sacrifices.
      The Nahuas believed the world would end like the other previous four creations. Every fifty-two years, they feared the world would end. Under Tlacaelel, Aztecs believed that they could give strength to Huitzilopochtli with human blood and thereby postpone the end of the world, at least for another fifty-two years. Ironically, the Aztec empire fell at the end of this cycle.
      In this new vision from Tlacaelel, the warriors that died in battle and women who died in childbirth would go to serve Huitzilopochtli on his palace (in the south, or left), but he was so bright that they had to use their shields to protect their eyes. They could only see the god through the arrow holes in their shields, so it was the bravest warrior who could see him best. From time to time, those warriors could return to earth as butterflie

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 Itzli (or Itztli) was a god of stone, particularly in the shape of a sacrifical knife. He served Tezcatlipoca as the god of the Second Hour of the Night. He is associated with Chalchiuhtlicue and Tlazolteotl.

ITZPZPALOTL ("Clawed Butterfly" or "Obsidian Butterfly") was a fearsome skeletal goddess, who ruled over the paradise world of Tomoanchan. She is particularly associated with the moth Rothschildia Orizaba from the family saturnidae.

IXTLILTON  ("Little Black One") was a god of healing, maize, feasts and festivals. He is associated, possibly via siblingship, with the Centzontotochin.

MACUILXOCHITL the god of Music and Dance.

METZTLI  (also Meztli, Metzi) was a god of the moon, the night, and farmers. He was probably the same deity as Yohaulticetl and Coyolxauhqui and the male moon god Tecciztecatl; like the latter, he feared the sun because he feared its fire.

MICTLAN The underworld and home of all the dead except warriors and women who died in labor.

MICTLANTECIHUATL The lady and goddess of Mictlan and the Realm of the Dead.

MICTLANTECUHTLE God of the dead.

OMETECUHLTI and his wife OMECIHUATL created all life in the world the god of Duality.

PATECATLl was a god of healing and fertility, and the discoverer of peyote. With Mayahuel, he was the father of the Centzon Totochtin.

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PAYNAL The messenger to Huitzilopochtli.

QUETZALCOATL ("feathered snake", in Nahuatl: Ketsalkoatl, in Spanish: Quetzalc) is the Aztec name for the Feathered-Serpent deity of ancient Mesoamerica, one of the main gods of many Mexican and northern Central American civilizations.
       Classic Maya depiction from YaxchilanThe name "Quetzalcoatl" literally means quetzal-bird snake or serpent with feathers of the Quetzal (which implies something divine or precious) in the Nahuatl language. The meaning of his local name in other Mesoamerican languages is similar. The Maya knew him as Kukulk the Gukumatz.
       The Feathered Serpent deity was important in art and religion in most of Mesoamerica for close to 2,000 years, from the Pre-Classic era until the Spanish Conquest. Civilizations worshiping the Feathered Serpent included the Olmec, the Mixtec, the Toltec, the Aztec, and the Maya.
      The worship of Quetzalcoatl sometimes included human sacrifices, although in other traditions Quetzalcoatl was said to oppose human sacrifice. .

TEOYAOMQUI  (or Teoyaoimquit, Huahuantli) was the god of dead warriors, particularly those who had died in battle. He is a solar deity, the god of the Sixth Hour of the Day.

TEZCATLIPOCA (god of Night and Sorcery) "Smoking Mirror" (obsidian), characterized as the most powerful, supreme deity, was associated with the notion of destiny. His cult was particularly identified with royalty, for Tezcatlipoca was the object of the lengthy and reverent prayers in rites of kingship.

TLALOC The rain deity, belonged to another most memorable and universal cult of ancient Mexico.

TLALOCAN Tlalocan was the earthly paradise of Tlaloc, located in the East, the place of Light and Life. It was where the souls of those killed by lightning, dropsy, skin diseases, and those sacrificed to Tlaloc went.

Xocotl was a stellar god who presided over fire. He is identified with the Aztec and Toltec god Xolotl.

Xochipilli was the god of love, games, beauty, dance, flowers, maize, and song. His name contains the Nahuatl words xochitl ("flower") and pilli (either "prince" or "child"), and hence means "flower prince". He is also referred to as Macuilxochitl, which means "five flowers".
     His wife was Mayahuel and his twin sister was Xochiquetzal. As one of the gods responsible for fertility and agricultural produce, he was associated with Tlaloc, god of rains, and Cinteotl, god of maize.

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