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A form of divination. The term rune is derived from the Indo-European
root ru, which means mystery or secret. Runes were at first ancient
Norse and Teutonic alphabets, and symbols that were ascribed with
various magikal, mystical, and divinatory properties. These various
alphabetical signs have been passed down through the centuries and were
thought to possess religious and magikal meanings. Personal runes can
represent letters, deities, qualities, events, and natural forces.
Runic symbols have been
found carved on rocks dating from the Neolithic and Bronze Ages, ( 8000
BC - 2000 BC). Continuing discoveries showed they had been carved by
tribes in Northern Italy; they were also present in Sweden, and among
the Germanic people.
According to myth, the
runes were created by the Norse god Odin (also Woden or Woten), the
one-eyed chief of the gods, also the god of wisdom and war. Odin
acquired the forbidden and mystical knowledge of the runes by impaling
himself by his own spear to Yggdrasil, the World Tree, for nine days and
nights.
The runic characters,
originally derived from the Roman alphabet, first appeared in the
Germanic lands around 200 AD. They numbered 24, divided into three
groups called Aettas, which corresponds closely to the phonetic sounds
of the Roman alphabet.
Although runic carvings were found throughout western Europe, but the
greatest concentration was in England where the alphabet was increased
to thirty-three characters from its original twenty-four. In Scandinavia
it was reduced to sixteen. In Britian the alphabet was called “futhorc”
after its first letters F, U, TH, O, R, K.
The runes coexisted for
centuries along with Christian symbols such as the cross. One of the
earliest historical references to them is in the 4th. century AD when
the Gothic bishop Ulfilas in devising the Gothic alphabet borrowed the U
and O from the runic alphabet.
In Western Europe during
the Dark Ages runes were believed to possess potent magikal powers.
These magikal powers attributed to runes were believed to be released in
the etching of names, phrases, memorial inscriptions, and spells upon
bones, metal, wood, and stone. The were inscribed on grave stones to
described the deeds of the departed and to ward off grave robbers. It
was thought that a swords having a runic inscription became more
powerful to inflict more pain and death upon the enemy. The powers of
runes was sought for various things such as victory in battle, healings,
acquisition of psychical powers, protection from the evil eye, cursing,
love, fertility and other enchantments. Such belief and interest in the
runes was diminished by the Inquisition.
Magicians etched them on
magikal tools, even sometimes sprinkling blood on them to increase their
magikal potency. The magicians passed these tools onto their initiates,
telling the initiates of their power by word of mouth. Runic symbols
were inscribed—but never in the light of day—on items such as wands made
of hazel, ash or yew, swords, chalices, or stone tablets to obtain
whatever the magician desired.
Belief in runic power was
strong among the German soldiers during World War I. This was because
“secret chiefs” of the Germanen Order, a runic society founded in 1912,
signed their names in runic characters. They sold amuletic bronze rune
rings to solders for protection. A rune mania occurred throughout the
country which included yodelling during yoga-like exercises to release
the rune’s mystical powers, and meditating over runes to cure illnesses.
Perhaps two runes were
destroyed forever by the Nazis. These are the swastika, originally
Mjoelhir, Thor’s hammer and the symbol of the Earth Mother and the sun;
and the sig or S rune, the trademark of Heinrich Himmler’s “Schutzstaffel,”
or the SS. The Norse neo-Pagans tried to bring back the Swastika as a
runic symbol without much success.
The ancient usage of the
swastika not only as a symbol by Indo-European cultures dates back
perhaps prior to 700 BC in Greece where it was painted on amphoreis and
various ceramic artifacts, and even graves. Also it exists in many other
cultures such as the Chinese and Native Americans.
Beginning in the 1980s
and continuing to the present it became popular to use rune stones for
divinatory purposes, they are cast like coins or sticks in I Ching or
laid out in crosses or wheels such as Tarot cards. Some modern witches
inscribe their magikal tools and personal jewelry with runic characters.
The magikal use of runic
in Western practices has been revived in New Age ideas and activities.
Ralph Blum, a Fullbright scholar and Harvard graduate, has adapted runes
for oracular purposes. He details these purposes and activities in his
two books The Book of Runes and Rune Play which are accompanied by 25
letters stationed on ceramic counters which can be used for casting in a
similar divinatory manner as in I Ching.
Another method of casting
runes in Western magic is to write the letters on slips of papers that
are given, handed, or sent to the victim of the spell. Such a method was
brilliantly described in the short story Casting the Runes by M. R.
James in More Ghost Stories of an Antiquary, 1911. In the story one
character slips runes into a ticket case of the victim. The case is then
dropped where the victim will noticed that it is his. He assumes he
dropped it and picks it up; therefore, the runes and their spell are
casted onto him.
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